This project using four different printing processes （Matte/Gloss digital printing，Risograph，Screen printing）to investigate the difference in colour understanding between colour blind people and non-colour blind people, explores the legibility of colour, and the influence of colour and texture on human visual experience.
Three colour blind participants participated in this project as No Such Thing As Colour, and three non-colour blind participants were added for comparison. By talking to them, responses were recorded and made into experimental images. The experimental results are presented in the form of posters and publications.
Details: 175 x 95/120mm, 60gsm, 30p，main colour#e83335, digital&riso print, wire binding
Summary: Screen printing is seemingly recognised by both colour blind and non-colour blind people, and if you want colour blind people to access your design, screen printing may will be the first choice; use Risograph with caution, it will cause colour misunderstanding. Avoid gloss if solid/opaque colour is important to your design. Other design devices, such as text, will always trump hierarchy over colour palettes.